ALL OF A SUDDEN

"...The film owes its sharpness and tenacity also to the cinematographic skill of Emre Erkmen who often employs distinctive framing, plays with definition, colours the film in dark, autumnal tones and uses window reflections. All these elements are simple yet powerfully effective tools which serve to depict the ambiguity and multiple meanings behind what’s visible to the eye..."
FRANKFURTER ALLGEMEINE ZEITUNG

"...A German homeland film of extraordinary beauty..."
DER SPIEGEL

"...Striking, elegant, expressive camerawork..."
BFI, GEOFF ANDREW

"...Shot in melancholic, warm, autumnal colours and freely playing with light and shadows, the film is rich in its expressive imagery..."
PROGRAMMKINO

"...Emre Erkmen, is fond of unusual angles and unexpected overhead shots, which lend the widescreen film visual panache..."
HOLLYWOOD REPORTER
 
"...Sophisticated framing with extraordinary colour dramaturgy..."
TAGESSPIEGEL

"...Excellent cinematography by Emre Erkmen..."
RADIOEINS, KNUT ELSTERMANN

"...Emre Erkmen’s camerawork gives this essentially realist piece just the right touch of atmospheric stylisation..."
SCREENDAILY